Sanremo 2022: between sold puppets and jesters with balls, Checco wins everything
Audience record for Sanremo 2022, as we have not seen since 2000, when Fabio Fazio led it.
It is good news? Depends. Let's say that if Sanremo is the thermometer of Italy, the mirror of Italians, 13 million 380 thousand spectators, or more than a quarter of Italian citizens, drink from what the RAI bandwagon has been offering for years: state propaganda.
I don't want to talk about music, I haven't listened to a single song. As we know in that case too, the lobbying round of record companies, the round of money, nudging and convenience, decides who can become famous and who cannot, who must disappear and who must be overestimated. Music is just a cover, it's not the purpose of the show.
I want to talk about the guests, the artists put on stage. Leaving aside the usual well-foraged left-wing miracles, exhumed at a high price just to soak up 5 minutes of good-natured banality, let's talk about the comedians, better to say satirical. Those who in an ironic way should send the real messages, intelligent, insightful, stabbing.
Fiorello, who as we know has always had the intelligence to be superpartes, with a fresh, spontaneous and irresistible comedy, this year has incredibly bent to the logic of a communication that did not seem like his own thing: he made a piece at the limit embarrassing, teasing "the paranoid of the vaccine" (narrative imposed by the mainstream, mandatory if you want to share the cake of millions put in place to build it and above all to continue working) and mimicked the side effects that to date THOUSANDS of people have really suffered by getting inoculated. The amazement was not in seeing that crap on the air, you can see something else: what leaves you astonished is that Fiorello did it, because this is the alarm bell of how BigPharma's cancer has now also reached the lymph nodes.
But the Italians are not only 13 million: some other millionaire expressed their disgust about it, canceled the contract with Wind and disconnected the electricity bill in order to no longer have to pay RAI.
Here is the letter we published a few days ago, from a doctor, father of a boy injured by the vaccine, after seeing the antics:
Letter from the father of a boy injured by the vaccine to Fiorello
Then, in front of our now resigned pupils, a small light comes on on stage in the darkness: Checco Zalone. Checco, who between the serious and the facetious, with the skill, intelligence but above all the dignity and courage of a true artist, explains the reason why the pandemic MUST not end for the whole circus of miracles. He explains how obscure characters, chosen for reasons of flexibility with respect to hustlers, (people who shine for their narcissistic weaknesses and with a certain passion for tokenized presence) and certainly not for skills, previously absolutely unknown people with uncertain knowledge in matter, have become the new oracles: THE VIROLOGISTS. Not only that, Checco explains how these people, who unexpectedly found themselves stuffed with money on the edge of a dark career that seemed to have no interesting pecuniary outlets, now even in the face of scientific evidence and data that are found from all over the world ( THE PANDEMIC IS OVER) continue to desperately recite the same mantra: “better be careful, maybe the curve goes up, then another variant arrives”. Less and less credible, more and more ridiculous, never in agreement with each other, more and more aggressive and offensive towards those who present REAL data. People who, as they appeared, will disappear with their nice nest egg. Admirable final jab to Amadeus: when the pandemic is gone, it will be worse for you video stars too, who is still at home watching you?
What can I say, as we know IT IS NOT CONVENIENT for anyone to take such clear, sincere and clear-cut positions to reveal from a stage followed like Sanremo that the hypnotized Italians have let themselves be taken for granted. But Checco did it. He said the virologist is naked. And the Italians never as in this period do well to see that there is still someone with balls willing to say at their own risk and peril things as they are. And so Checco won the Festival.
Below is the funny piece by Zalone: it's on RAI play, and these two pennies of views are all that we are still forced to give to that drain of money and disinformation that has become state TV.
Thanks to our Telegram channel you can stay updated on the publication of new articles of Economic Scenarios.
The article Sanremo 2022: between puppets sold and jesters with balls, Checco wins everything comes from ScenariEconomici.it .
This is a machine translation of a post published on Scenari Economici at the URL https://scenarieconomici.it/sanremo-2022-tra-pupazzi-venduti-e-giullari-con-le-palle-checco-vince-tutto/ on Sun, 06 Feb 2022 12:15:48 +0000.